| 2025 | Luis Gimenez Amoros: Fiesta Popular Experimental de Moros y Cristianos (music album). KRB, 2025 |
|---|
| 2025 | Luis Gimenez Amoros: Andalusi Music: Convivencia from an Afro-Asian perspective, African Music. In: African Music: Journal of the International Library of African Music, 12: 37-55, 2025, |
|---|
| 2025 | Luis Gimenez Amoros: Andalusi music in Africa: from collective memories of coexistence to nationhood. In: JOURNAL OF THE MUSICAL ARTS IN AFRICA VOLUME 22, 2025, |
|---|
| 2025 | Luis Gimenez Amoros: Bahia-Levant (music album). KRB, 2025 |
|---|
| 2025 | Luis Gimenez Amoros: Digging in the African sound archive (podcast series). Global South Studies Center, 2025 |
|---|
| 2025 | Luis Gimenez Amoros: Multimusicality (podcast series). Global South Studies Center, 2025 |
|---|
| 2025 | Luis Gimenez Amoros: Música festera, coexistence and multimusicality during the making of The Unknown Spanish Levant (Egypt). In: Journal of Spanish Cultural Studies, 2025, 1–19 |
|---|
| 2025 | Luis Gimenez Amoros: The unknown Spanish Levant Vol. 6: "Fiesta popular-experimental de Moros y Cristianos" (music album by the author). The unknown Spanish Levant Vol. 6. KRB, 2025. |
|---|
| 2025 | Luis Gimenez Amoros: Voices on the River Rhine (music album). KRB, 2025 |
|---|
| 2024 | Luis Gimenez Amoros: From Qaul to Haul or vice versa: A musical circulation between Western Sahara and India from XII-XV century. In: Sumangala Damodaran, AfroAsian Musical Imaginaries. Columbia University Press and Tulika Books, 2024. |
|---|
| 2024 | Luis Gimenez Amoros: La revitalizaición del Cancionero villenense. Fundación Soler, 2024 |
|---|
| 2024 | Luis Gimenez Amoros: Refugees (music album). KRB, 2024 |
|---|
| 2024 | Luis Gimenez Amoros: The unknown Spanish Levant Vol. 5: "Refugees" (music album by the author). The unknown Spanish Levant Vol. 5: "Refugees". KRB, 2024. |
|---|
| 2024 | Luis Gimenez Amoros: Voices on the River Rhine: Multimusicality and The Unknown Spanish Levant series in Cologne. In: Ad Marginem, 96, 2024, 11-25 |
|---|
| 2023 | Luis Gimenez Amoros: La música andalusí dentro de un marco afroasiático: Una reconsideración sobre la organología y la circulación cultura. In: Acta Musicologica, 2023, |
|---|
| 2022 | Luis Gimenez Amoros: Introducción a la música afro-hispana. In: Trans: Transcultural Music Review= Revista Transcultural de Música, 2022, |
|---|
| 2021 | Luis Gimenez Amoros: The orchestration of postcolonial Zimbabwe: The soundtrack of the three Zvimurenga and the present.. In: Muziki: Journal of Music Research in Africa, 2021, |
|---|
| 2020 | Luis Gimenez Amoros: Beyond Nationhood: Haul Music from a postcolonial perspective in Western Sahara and Mauritania. In: African Music: Journal of the International Library of African Music, 11, 2020, 41-59 |
|---|
| 2019 | Luis Gimenez Amoros: The digital return of ILAM’s Zimbabwean recordings: revitalization of the sound archive through postcolonial engagement between ILAM and African universities. In: Archives and Records, 2019, |
|---|
| 2018 | Luis Gimenez Amoros: An Ethnomusicological Approach to Orientalism: The Musical and Historical Study of the Moors and Christians in Villena (Spain).. In: El oido Pensante, 2018, |
|---|
| 2018 | Luis Gimenez Amoros: La bimusicalidad a través de la música transcultural. In: Acta Musicologica, 2018, |
|---|
| 2018 | Luis Gimenez Amoros: Mariem Hassan: The construction of a transculturalrepresentative of Saharawi music. In: A. Dillane; Martin J. Power; Eoin Devereux; Amanda Hayne., Songs of social protest international perspectives. Rownman & Littlefield, 2018. |
|---|
| 2018 | Luis Gimenez Amoros: Nubenegra Records and Saharawi Music: A Musical and Social Interaction Beyond Transnationalism. In: Expressions maghrébines, 2018, |
|---|
| 2018 | Luis Gimenez Amoros and Perminus Matiure (Eds.): Performing Zimbabwe: A Transdisciplinary study of Zimbabwean Music. UKZN Press, 2018 |
|---|
| 2018 | Luis Gimenez Amoros: The Transcultural Representation of Saharawi Music by Mariem Hassan and Nubenegra Records. In: Popular Music and Society, 2018, |
|---|
| 2018 | Luis Gimenez Amoros: Tracing the mbira sound archive in Zimbabwe. Routledge, 2018 |
|---|
| 2016 | Luis Gimenez Amoros: Music and Islam in the Saharawi refugee camps of the Hamada desert, Algeria: the practice of medej as a syncretic musical evolution.. In: Muziki: Journal of Music Research in Africa, 2016, |
|---|
| 2015 | Luis Gimenez Amoros: Azawan: precolonial musical culture and Saharawi nationalism in the refugee camps of the Hamada Desert in Algeria. In: African Music: Journal of the International Library of African Music, 2015, |
|---|
| 2014 | Luis Gimenez Amoros: I Play Wassoulou, Jeli, Songhay and Tuareg Music: Adama Drame in Postcolonial Mali, Bimusical or Multimusical?. In: El oido Pensante, 2014, |
|---|
| 2014 | Luis Gimenez Amoros: Mariem Hassan: la participación primordial de la mujer saharaui en la música Haul. In: Quadrivium, 2014, |
|---|
| 2013 | Luis Gimenez Amoros: Desert blues: la guitarra en la música saharaui. In: A Contratiempo, 2013, |
|---|
| 2012 | Luis Gimenez Amoros: Comercialización de la música saharaui en el mundo occidental a través de Nubenegra (Madrid, 1998-2011). In: Resonancias, 2012, |
|---|
| 2012 | Luis Gimenez Amoros: Un gwenyambira español en Rhodes University (Sudáfrica): Reflexiones sobre el concepto de la bimusicalidad. In: Sineris, 2012, |
|---|
